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Installations
Dragomi ART CAR | USA
Dragomi ART CAR

Dragomi Art Car is a spectacular fusion of technology and creativity by visual artist Hepp McCoy. This dragon is vibrant and origami-inspired. It is mounted on a truck meant to dazzle. The car has colorful LED lights, a dynamic sound system, and fiery effects. The dragon’s scales and wings have intricate patterns of light. They sync with music, making a mesmerizing visual experience. 

In this context, we explore the creative world of the visual artist behind the Dragomi ART CAR in the USA. We’ll examine how art and car design combine in this unique project and many more.

 

Tell us How it all started

The project started in Boulder, Colorado, in 2015. It has changed since then, becoming a captivating mobile art installation that wows audiences. The Artistic Car’s vision is rooted in interactive and engaging art. It embodies the spirit of community and innovation and makes a memorable impact at events like Burning Man and Apogaea.

The current project is the Dragomi Art Car. It’s a giant, colorful origami dragon built on a truck. The dragon can carry lots of people and has cool features like a sound system, fire effects, and fancy lights. These lights make the dragon’s scales and wings look fantastic when they change with the music.

The panels around the truck also light up in different patterns, making it look like a moving piece of art. It’s designed to be super eye-catching and exciting wherever it goes.

Dragomi Car Art

Where are you from originally?

I’m from the United States, mainly operating in Boulder, Colorado. Boulder has been an excellent place for us to work on the Dragomi Art Car. It’s a lively city that’s helped us gather a team of talented people. Since building it in 2015, Boulder has been where we’ve made improvements and introduced new ideas. It’s also where we’ve started showcasing Dragomi at events nationwide.

 

Which artistic scene resonates most with you?

I resonate with the lively art scenes. They are interactive and engaging. I’m drawn to events like Burning Man and regional burns like Apogaea. These events provide a unique platform. It is for large interactive installations like the Dragomi Art Car. At Burning Man, Dragomi is a beloved fixture. It enchants participants with bright LED light shows and dramatic fire effects.

We also showcased Dragomi at Apogaea, Colorado’s regional Burning Man event. The community’s enthusiasm and engagement there were very inspiring. These scenes encourage art and innovation. They push boundaries and create unforgettable, shared experiences.

Dragomi ART CAR artistic scene

Can you briefly describe your artistic vision?

My artistic vision is to create captivating and interactive art that grabs people’s attention using technology, light, and fire. Dragomi, for instance, is like a lively creature. It transforms and fascinates anyone who sees it. It’s built on a particular truck with colorful LED lights all over its body and wings. These lights dance along with music, making a mesmerizing show.

Plus, there are custom fire effects that add an extra wow factor. The panels around the truck also light up in beautiful patterns, creating a magical atmosphere. My art aims to wow people but also to bring them together. It creates a shared sense of awe and community.

 

What motivated you to become a visual artist, and how do you maintain your creativity?

I became a visual artist because I saw how art can bring people together and create unforgettable moments. For example, Dragomi isn’t just a sculpture; it’s an experience that gets people dancing and connecting. To stay creative, I’m always trying out new technologies and techniques. Also, I work with other talented artists.

They include Peter Trench, Malkohm Horn, Dan Holden, and Benigno Lopez. They inspire me. Being part of vibrant communities like Burning Man and Apogaea also gives me endless ideas and energy to keep innovating.

 

How did your journey as a visual artist begin?

My journey as a visual artist began with a fascination with electronics and lights. From a young age, I loved playing with circuits and experimenting with different lighting effects. As I got better, I started exploring welding and making things with metal, wanting to bring my ideas to life on a bigger scale.

Over time, I learned more about these skills, moving from small projects to bigger ones. Dragomi is the result of all this learning and experimenting. It combines my interests in electronics, lights, welding, and making things. It’s been a journey of dedication and learning, and Dragomi inspires me to keep pushing the limits of what I can do as an artist.

 

What kinds of events and projects have you worked on?

I’ve been lucky to be part of many different events and projects. My art has been displayed all over the country, from big festivals like Burning Man to smaller gatherings like Apogaea. I’ve also worked on community parties, art installations, and projects with other artists. Each event is different, which means new challenges and chances to grow creatively. I love turning city streets into art galleries. I also love having extraordinary experiences at music festivals. I love bringing my art to life in many places and ways.

Dragomi ART CAR events and projects

Can you talk about a project you’re proud of and how you handled challenges?

One project I’m proud of is Dragomi’s display at Burning Man 2022. The event had challenges, like the harsh desert conditions and ensuring our fire effects were safe. We tackled these issues with careful planning. We conducted thorough risk assessments and created strong safety plans to protect everyone involved. We also got creative to solve technical and logistical problems. For example, we fine-tuned the LED lights and ensured our fire effects worked well.

It was a team effort. Everyone on the Dragomi team brought their skills to the table, making the project successful. By communicating well, working together, and not giving up, we ensured Dragomi wowed everyone at Burning Man.

 

How do you start a new visual project?

I kick things off by crafting a solid idea that guides the whole project. Then, I plan out all the details and logistics. Collaboration is critical, so I bring together a team with different skills. Everyone contributes their expertise, whether welding, electronics, or programming. We ensure everything fits the central vision by working together and communicating openly. We get inspiration from past projects and try out new techniques to push our creativity further. Creativity, planning, and teamwork help us turn ideas into amazing visuals.

Start a new visual project

What design tools do you use, and how do you keep up with trends?

I use CAD software for planning and PixelBlaze for lighting systems, which make our art interactive. To stay updated, I attend art events and festivals, where I learn about new trends and technologies. I also connect with other artists and try out new techniques. This keeps my work fresh and exciting in the fast-changing art world.

 

How would you describe your style, and what materials do you like to use?

My style mixes futuristic and natural elements, blending sleek tech with organic beauty. I love using LED lights for excellent displays that react to sound and movement. Fire effects add drama, while metalwork gives my creations shape. I aim to make art that’s not just visually striking but also makes people think and feel.

 

How do you keep up with design trends and tech advancements?

I do a few things to keep up with what’s new in design and technology. First, I apply for art grants, which can give me money for projects and introduce me to other artists who are doing cool stuff. Then, I go to industry events like conferences and workshops. I learned from experts there and met other artists to share ideas and work together. These things help me stay on top of the latest trends and advancements.

 

What are the main ideas you explore in your art?

I often focus on transformation, interactivity, and blending nature with technology. These ideas shape how I create each project. Transformation is a big part of my art. I love showing how things change over time, like with lights, colors, fire, and metal. Interactivity is also essential. I want people to engage with my art, to be part of the experience, not just observers.

Dragomi Art main ideas

How do you work with individuals who need to be designers?

Working with non-designers is vital, especially on big projects. We need many different skills. To do this well, we must communicate clearly and be open to new ideas. Working with non-designers can bring in fresh perspectives and cool new ideas. Everyone brings something unique, whether engineers, artists, or other experts.

By creating a team where everyone’s ideas are respected, we can all work together to achieve our goals. This improves the project and gives everyone a sense of pride in what we’ve accomplished.

 

Have you ever altered your vision to meet a client’s needs?

Yes, sometimes I’ve had to change my original ideas to match a client’s needs. But I always find a compromise that works for both of us. The key is to talk openly with clients and understand their needs and wants. I listen carefully to their ideas and concerns, and then we figure out ways to adjust my vision while keeping its essence. While flexible in meeting their needs, I also stick to my artistic style and ideas. Even though things might change a bit, I always stay true to what I believe in creatively.

 

Do you work with multimedia design, such as video or animation?

Yes, I do work with multimedia, like videos and animations. I use them alongside my LED panels and installations to make them more exciting and immersive. Adding videos and animations helps me tell better stories and express myself creatively. Whether I project cool animations on my installations or mix in video footage, it all adds to the impact of my art. By mixing different media types, I’m always trying to create unique experiences for people who see my work.

In your view, how does contemporary art differ from traditional art?

Contemporary art is different from traditional art in a few ways. It’s all about using new technologies and making interactive art. Traditional art often stays the same. In contrast, contemporary art has changed. It uses digital media and interactive installations, which lets artists create exciting and immersive experiences that reflect the modern world. Using technology, contemporary art invites people to be part of the art in new and exciting ways.

 

What advice would you give aspiring visual artists in the electronic music community?

My advice is to approach your craft with a spirit of fearless experimentation. The electronic music scene is a dynamic and ever-evolving environment, rich with opportunities for innovation and creativity. Don’t be afraid to push the boundaries of what’s possible with visual art and embrace the unique challenges and possibilities that come with creating alongside electronic music.

Dragomi ART CAR USA

How might others reach you for collaboration or inquiries?

‘I’d love to connect with fellow artists, collaborators, and enthusiasts! You can contact me through my website. There, you’ll find a form for questions and collaborations. Also, you can follow me on social media platforms.

Follow Dragomi ART CAR | USA On Social Media

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Yaniv Ben Ari
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